(Source: enigmadoamor2013, via redsnapper921)

poboh:

The Corner Table, Irving R. Wiles. American (1861 - 1948)

(via my-ear-trumpet)

hollyhocksandtulips:

Vanity Fair

Photos by Mark Shaw

wewantrevolutiongirlstylenow:

1953.

(Source: thecolourfulpast, via theseasonofthewitch)

(Source: olderoticart)

luzfosca:

Martin Munkacsi

The Pudle Jumper, 1934

(via hoodoothatvoodoo)

oldbookillustrations:

Study for the painting Im Atelier (In the studio).

Emil Orlik, from Zeichnungen von Emil Orlik (Drawings by Emil Orlik), with an introduction by Hans Wolfgang Singer, Leipzig, 1912.

(Source: archive.org)

cavetocanvas:

Vanessa Bell, Nude, c. 1922-23

From the Tate Collection:

Vanessa Bell usually painted still lifes and portraits of her family, but she experimented briefly with abstract art when encouraged by Roger Fry and Duncan Grant. The subject here is a professional model, and the picture was probably painted as an exercise when Bell returned seriously to painting after bringing up her daughter. She then visited Paris, where she admired the new paintings by Picasso of monumental nudes. Her still lifes always give a sense of the pleasure of touch, with warm earth colours, and these are also features of her appraisal of this plump young woman.

(via libbythelibertine)

lauramcphee:

Joan Webb, 1959 (Peter Gowland)

1993-2012:

Nu Feminino (1915-1916) por Anita Malfatti

(via 1993-2012-deactivated20120314)

(Source: olderoticart)

(Source: 7pleiades7, via mykittyclaws)

vivalundinproductions:

Greek

3rd century

(Source: hismarmorealcalm, via centuriespast)

corrumpo:

Patricia Ariel.